At the bar, I ask if you want shots.
You say, no– 2X, so I ask is that Dos
Equis? We laugh, then you tell me
2X is an IPA from Southern Tier.
When I order PBR you fire back
I don’t do that shit anymore.
At our table you lean into me,
staring at the red, paint-splattered wall.
You say I went to school with someone
who was killed in the shooting last
weekend. I think– there were two–
then ask if you’re okay. You
cock your hand on my thigh
and lift your bottle to toast me–
our clink of drinks a cold hard
cheers to the body of a rifle.
The skin through the holes
in our ripped jeans is heavy
against each other. You whisper in my ear
the world has too many people.
You shoot to the opposite
side of the table and ask,
how many people have you had sex with
who are dead? I say none that I know of.
And knowing you want me
to ask you, too, I mouth,
you?
Your smile loads a magazine,
amber bullets in your eyes–
you flash me the peace sign.
James Croal Jackson (he/him/his) is a Filipino-American poet. He has a chapbook, The Frayed Edge of Memory (Writing Knights Press, 2017), and recent poems in DASH, Sampsonia Way, and Jam & Sand. He edits The Mantle (themantlepoetry.com). He works in film production in Pittsburgh, PA. (jamescroaljackson.com)
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