On my way to 
 the institute every morning, 
 I cross a repugnant smelling lake
 with the froth of seventeen 
 maladroit industries sending 
 out their toxic effluents into the 
 aquatic home like waste to a landfill.
 While moving vehicles roll up their
 tinted shields to censor out the 
 inevitably penetrative aroma, 
 my eye catches one figure that
 stands dauntless on a crumbling bridge
 smoking a morning cigarette.
  
 I wonder why he stands there, in his 
 Indian kiln and murky shawl, like clockwork
 in the mornings.
 Perhaps he tries to take in the scents the world
 blatantly shuns, or perhaps he takes
 pleasure in seeing the planet destroyed.
 His unctuous demeanor as he breathes tar into 
 his lungs is oddly something that keeps me up 
 at night. 
 In questioning his philosophies, dreaming up 
 his family, analyzing his psychology, I weave
 up silk webs of lies.
 But one Monday morning, when I glance out 
 the window, my eyes search for that
 man whose name I do not know.
 He is lost in the wind, just like that bridge
 that crumbled into all that’s left of time’s
 unforgiving shadow.
Divya Manikandan is a resident of Bangalore, India. Who is currently building her own poetic arsenal, painting as a form of meditation and creating short films as a form of expression. Literature is her means of escape from reality, however her reality has always been to become a surgeon.
 
 
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