We woke in the darkness, looking out
into the light, the entrance curtained
with ice. The sunlight caught
as it would behind a window,
luminescent like the first sun.
Already, trickles of melt were running
in barely detectable currents, cold beads
on the tips of the frozen. By mid-morning,
the ice would drop, a harvest loosened
from the limestone. Reluctantly,
we kicked our way out. The span of ice
shattered with the force of our boots
across the leaf fall. We emerged
into the early sun, cold pinching our nostrils,
each step a snapping twig, a circling crow,
a woodpecker drumming dead wood.
Al Ortolani's newest collection, Paper Birds Don’t Fly, will be released in 2016 from New York Quarterly Books. His poetry and reviews have appeared in journals such as Rattle, Prairie Schooner, New Letters, and New York Quarterly. His poems been nominated for the Pushcart Prize and Best of the Net. Currently, he teaches English in the Kansas City area.
Sunday, September 25, 2016
Thursday, September 22, 2016
Their Daughter by Martha Christina
Even in a small town
no longer quite as small,
news travels fast.
Today in the card shop
Today in the card shop
the talk is all about
the newcomers'
teenage daughter,
how she balanced, briefly,
on the bridge railing
how she balanced, briefly,
on the bridge railing
then took to the water
like a flower,
opening.
Martha Christina is a frequent contributor to Brevities. Longer work appears recently or is forthcoming in Bryant Literary Review, Muse Literary Journal, Naugatuck River Review, and in earlier postings of Red Eft Review. Her second collection, Against Detachment, was published in April by Pecan Grove Press.
Wednesday, September 21, 2016
Along Back Roads by Martha Christina
Misfolded
and creased,
the map leads us
down Old Stage Road
to the intersection of
Bug Hill and Bear Swamp.
Left, then right, to Echo Valley,
where you pull over
near an abandoned farm
to photograph
not the blazing maples
but yet another
dilapidated barn.
An aspen beside
the shuttered house
gives an obligatory
shiver in the light wind.
Each day its leaves
turn a little more vibrant,
as if coloring
marked their future,
not their end.
I listen hard for voices,
a slammed door,
the bleat of sheep,
but hear only
crickets in the ditch
and the ticking
of our hazard lights.
Martha Christina is a frequent contributor to Brevities. Longer work appears recently or is forthcoming in Bryant Literary Review, Muse Literary Journal, Naugatuck River Review, and in earlier postings of Red Eft Review. Her second collection, Against Detachment, was published in April by Pecan Grove Press.
and creased,
the map leads us
down Old Stage Road
to the intersection of
Bug Hill and Bear Swamp.
Left, then right, to Echo Valley,
where you pull over
near an abandoned farm
to photograph
not the blazing maples
but yet another
dilapidated barn.
An aspen beside
the shuttered house
gives an obligatory
shiver in the light wind.
Each day its leaves
turn a little more vibrant,
as if coloring
marked their future,
not their end.
I listen hard for voices,
a slammed door,
the bleat of sheep,
but hear only
crickets in the ditch
and the ticking
of our hazard lights.
Martha Christina is a frequent contributor to Brevities. Longer work appears recently or is forthcoming in Bryant Literary Review, Muse Literary Journal, Naugatuck River Review, and in earlier postings of Red Eft Review. Her second collection, Against Detachment, was published in April by Pecan Grove Press.
Tuesday, September 13, 2016
Dreamscape by Claire Hersom
Until the silken silhouettes of the shore scatter
gray warblers and chimney smoke marry fog
hide in the oxygen of the river,
dance with the cool draft that drifts
out of the forest
never give up, you say
there is always a stronghold
In sleep, we fall to nothingness
while our minds gather at the round table to debate
what the day ignored
we wake with angst,
a vague sense of disapproval
who can tell what’s fact, fantasy,
or restless dream
but it’s morning now, a new day
so go ahead
rise
Claire Hersom is a native Mainer who lives in Winthrop. Her work appears in several poetry journals including Yankee Magazine. Her book, Drowning: A Poetic Memoir, (Moon Pie Press) was supplemental text for UMS Rockland campus. In 2011, she received an Emerging Artist Grant in Literature from Boston’s St. Botolph Club Foundation. She serves on the Board of Directors for Maine Equal Justice Partners, and volunteers in local schools giving poetry ‘workshops’. She is one of three organizers for the Hallowell Maine poetry venue, the Bookey Readings at the Harlow Gallery. Her poem, "October Moon" was recently anthologized in the second edition of Wes McNair’s laureate project, More Poems from Maine: Take Heart.
gray warblers and chimney smoke marry fog
hide in the oxygen of the river,
dance with the cool draft that drifts
out of the forest
never give up, you say
there is always a stronghold
In sleep, we fall to nothingness
while our minds gather at the round table to debate
what the day ignored
we wake with angst,
a vague sense of disapproval
who can tell what’s fact, fantasy,
or restless dream
but it’s morning now, a new day
so go ahead
rise
Claire Hersom is a native Mainer who lives in Winthrop. Her work appears in several poetry journals including Yankee Magazine. Her book, Drowning: A Poetic Memoir, (Moon Pie Press) was supplemental text for UMS Rockland campus. In 2011, she received an Emerging Artist Grant in Literature from Boston’s St. Botolph Club Foundation. She serves on the Board of Directors for Maine Equal Justice Partners, and volunteers in local schools giving poetry ‘workshops’. She is one of three organizers for the Hallowell Maine poetry venue, the Bookey Readings at the Harlow Gallery. Her poem, "October Moon" was recently anthologized in the second edition of Wes McNair’s laureate project, More Poems from Maine: Take Heart.
Monday, September 12, 2016
Drought by Claire Hersom
The lake
thirsting in the sun
rests
waits
saves its energy
dreams of winter
its mouth wide open
begging for an unrelenting
rain
Shadows under the surface
their dark secrets revealed
frown
worry
plants reach,
so close now to freedom
Granite,
with its map of creation
appears
its cataracts removed
so generously
by the sun's intense
and constant heat
the relentless summer
masquerading as beauty.
Claire Hersom is a native Mainer who lives in Winthrop. Her work appears in several poetry journals including Yankee Magazine. Her book, Drowning: A Poetic Memoir, (Moon Pie Press) was supplemental text for UMS Rockland campus. In 2011, she received an Emerging Artist Grant in Literature from Boston’s St. Botolph Club Foundation. She serves on the Board of Directors for Maine Equal Justice Partners, and volunteers in local schools giving poetry ‘workshops’. She is one of three organizers for the Hallowell Maine poetry venue, the Bookey Readings at the Harlow Gallery. Her poem, "October Moon" was recently anthologized in the second edition of Wes McNair’s laureate project, More Poems from Maine: Take Heart.
thirsting in the sun
rests
waits
saves its energy
dreams of winter
its mouth wide open
begging for an unrelenting
rain
Shadows under the surface
their dark secrets revealed
frown
worry
plants reach,
so close now to freedom
Granite,
with its map of creation
appears
its cataracts removed
so generously
by the sun's intense
and constant heat
the relentless summer
masquerading as beauty.
Claire Hersom is a native Mainer who lives in Winthrop. Her work appears in several poetry journals including Yankee Magazine. Her book, Drowning: A Poetic Memoir, (Moon Pie Press) was supplemental text for UMS Rockland campus. In 2011, she received an Emerging Artist Grant in Literature from Boston’s St. Botolph Club Foundation. She serves on the Board of Directors for Maine Equal Justice Partners, and volunteers in local schools giving poetry ‘workshops’. She is one of three organizers for the Hallowell Maine poetry venue, the Bookey Readings at the Harlow Gallery. Her poem, "October Moon" was recently anthologized in the second edition of Wes McNair’s laureate project, More Poems from Maine: Take Heart.
Sunday, September 11, 2016
The war that would bring us together by Mark Danowsky
Once around the lunch table
a kid I hardly knew paced and ranted
about how a war with giant insect invaders
would bring us together
I wanted the war to come
to fruition, in my imagination
it would solve the petty everyday indecencies
This was before that geometry class
when we were shepherded to a tv
to watch a plane hit a building over and over
Mark Danowsky’s poetry has appeared in About Place, Beechwood Review, The Broadkill Review, Cordite, Red River Review, Shot Glass Journal and elsewhere. Originally from the Philadelphia area, Mark currently resides in North-Central West Virginia. He works for a private detective agency and is Managing Editor for the Schuylkill Valley Journal.
a kid I hardly knew paced and ranted
about how a war with giant insect invaders
would bring us together
I wanted the war to come
to fruition, in my imagination
it would solve the petty everyday indecencies
This was before that geometry class
when we were shepherded to a tv
to watch a plane hit a building over and over
Mark Danowsky’s poetry has appeared in About Place, Beechwood Review, The Broadkill Review, Cordite, Red River Review, Shot Glass Journal and elsewhere. Originally from the Philadelphia area, Mark currently resides in North-Central West Virginia. He works for a private detective agency and is Managing Editor for the Schuylkill Valley Journal.
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