When I was five,
I grabbed onto a live
electric wire fence
that wouldn’t let go.
My grandfather, deftly rolling Prince
Albert into OCB papers from his creaking
porch swing yells “Let go of the wire!”
but the current is too strong
so I am shaking like a dog
that just came in from the rain
& my grandfather is privately chuckling
as he calmly pulls the power box lever down.
58 years later,
I am hurled to the floor
by my ICD firing electric shocks
and as I lie there trembling,
I see my grandfather in 1959
awkwardly rising from his creaking
porch swing, cancer pulsing
through his cholesterol encrusted veins
and as he reaches
for the power box lever,
turns to me and says,
“To be forgotten
is when we truly die.
Sometimes the memory
just needs
a good jolt.”
Ben Rasnic currently resides in Bowie, Maryland. Author of four published collections (three available from amazon.com), Ben's poems have been nominated for Best of the Net and the Pushcart Prize.
Thursday, November 29, 2018
Monday, November 26, 2018
Andres by Jeffrey Zable
Made it to age 56. Survived mostly off Medicaid.
Obviously had a difficult life, early polio leaving him
permanently disabled: prosthetic leg; crutches or a wheelchair
to get around. Yet he was upbeat in spite of it.
I originally met him through a friend who said that Andres
was also a poet who loved Afro-Cuban music.
And so whenever I ran into him at Café La Boheme,
we usually talked a bit about the Latin music scene,
our own poetry, and some of the poets we both knew.
And I remember that the last time I saw him
he asked me for 5 dollars, which I immediately gave him.
Surely if I had known he had cancer and only a couple
more months to live I would have given him a lot more.
For some time thereafter, whenever I was at the cafe
I thought of him and wished I’d gotten to know him better,
which, of course, is often the case after all is said and done. . .
Jeffrey Zable is a teacher, conga drummer who plays Afro-Cuban folkloric music for dance classes and Rumbas, and a writer of poetry, short fiction, and non-fiction. More recent writing in The Bitchin’ Kitch, Corvus, After the Pause, Third Wednesday, Remington Review and many others. In 2017 he was nominated for both The Best of the Net and The Pushcart Prize.
Obviously had a difficult life, early polio leaving him
permanently disabled: prosthetic leg; crutches or a wheelchair
to get around. Yet he was upbeat in spite of it.
I originally met him through a friend who said that Andres
was also a poet who loved Afro-Cuban music.
And so whenever I ran into him at Café La Boheme,
we usually talked a bit about the Latin music scene,
our own poetry, and some of the poets we both knew.
And I remember that the last time I saw him
he asked me for 5 dollars, which I immediately gave him.
Surely if I had known he had cancer and only a couple
more months to live I would have given him a lot more.
For some time thereafter, whenever I was at the cafe
I thought of him and wished I’d gotten to know him better,
which, of course, is often the case after all is said and done. . .
Jeffrey Zable is a teacher, conga drummer who plays Afro-Cuban folkloric music for dance classes and Rumbas, and a writer of poetry, short fiction, and non-fiction. More recent writing in The Bitchin’ Kitch, Corvus, After the Pause, Third Wednesday, Remington Review and many others. In 2017 he was nominated for both The Best of the Net and The Pushcart Prize.
Sunday, November 25, 2018
Montag by Kara Goughnour
There must be something in books, something we can’t imagine,
to make a woman stay in a burning house;
there must be something there. You don’t stay for nothing.
― Ray Bradbury, Fahrenheit 451
It was a pleasure to burn
with you, eyes a black,
eaten thing, both scarce
and scared.
A pleasure to see deeper,
charred wafer-thin pieces
gone, slate clean. To think black
eyes iridescent; catch
a peek of beetle-green.
To know bright June light,
refracting off the window pane,
giving sight to my page,
is fire enough for me.
Kara Goughnour is a queer writer and documentarian living in Pittsburgh, Pennsylvania. She is the 2018 winner of the Gerald Stern Poetry Award and has work published or forthcoming in Third Point Press, Riggwelter Journal, The Southampton Review, and others. Follow her on Twitter @kara_goughnour or read her collected and exclusive works at karagoughnour.com.
Tuesday, November 20, 2018
Arc Spelled Ark by Howie Good
Animals are
slowly creeping
into my life.
An orange cat.
A yellow Lab.
A motherless
baby rabbit.
And that’s just
fine with me.
As a kid, I spent
a lot of my time
watching TV alone
in the basement,
in the dark.
Howie Good's latest poetry collections are I'm Not a Robot from Tolsun Books and A Room at the Heartbreak Hotel from Analog Submissions Press.
slowly creeping
into my life.
An orange cat.
A yellow Lab.
A motherless
baby rabbit.
And that’s just
fine with me.
As a kid, I spent
a lot of my time
watching TV alone
in the basement,
in the dark.
Howie Good's latest poetry collections are I'm Not a Robot from Tolsun Books and A Room at the Heartbreak Hotel from Analog Submissions Press.
Thursday, November 15, 2018
Wolf, Wildlife Refuge by Joe Cottonwood
Gandy the tawny wolf picks me
from a crowd of gawkers at the fence,
leans in sniffing, studying. Gus the keeper says
Gandy’s keying on your aftershave.
Nope. I’m gray-bearded, unshaven.
I ask if Gandy is an old wolf.
You’re very perceptive, Gus says.
Nope. Saw it in his stiff movements. Like mine.
I seem the only one engaging Gus or Gandy
while spectators aim phones, capturing us
in digital cages.
Gus says wolves can smell cancer or arthritis,
helps them select which moose
to cull from the herd.
Gus says Gandy still acts like
the alpha wolf, hates competition.
They keep him penned separately
so no one gets mauled.
Gandy steps to the fence.
From his throat, a low growl.
Like an anvil, the snout.
My joints ache.
And Gandy stares at me. Hard.
Joe Cottonwood is a carpenter by day, writer by night. Self-taught in each. His most recent book is Foggy Dog: Poems of the Pacific Coast.
from a crowd of gawkers at the fence,
leans in sniffing, studying. Gus the keeper says
Gandy’s keying on your aftershave.
Nope. I’m gray-bearded, unshaven.
I ask if Gandy is an old wolf.
You’re very perceptive, Gus says.
Nope. Saw it in his stiff movements. Like mine.
I seem the only one engaging Gus or Gandy
while spectators aim phones, capturing us
in digital cages.
Gus says wolves can smell cancer or arthritis,
helps them select which moose
to cull from the herd.
Gus says Gandy still acts like
the alpha wolf, hates competition.
They keep him penned separately
so no one gets mauled.
Gandy steps to the fence.
From his throat, a low growl.
Like an anvil, the snout.
My joints ache.
And Gandy stares at me. Hard.
Joe Cottonwood is a carpenter by day, writer by night. Self-taught in each. His most recent book is Foggy Dog: Poems of the Pacific Coast.
Wednesday, November 14, 2018
The Way I Knew Him (1944) by Antoni Ooto
You could say I knew him by
his way of leaning into the path.
He saw the ruts
and chose to step into them.
Never complained about mud,
a fallen tree, or war left in his path.
And I watched, following his courage,
never really knowing him at all.
Antoni Ooto is a poet and flash fiction writer and has been a frequent contributor to Palettes and Quills, An Upstate of Mind, Amethyst Review, Front Porch Review, Young Ravens Literary Review, and Ink Sweat & Tears. He lives and works in upstate New York with his wife writer/storyteller Judy DeCroce.
his way of leaning into the path.
He saw the ruts
and chose to step into them.
Never complained about mud,
a fallen tree, or war left in his path.
And I watched, following his courage,
never really knowing him at all.
Antoni Ooto is a poet and flash fiction writer and has been a frequent contributor to Palettes and Quills, An Upstate of Mind, Amethyst Review, Front Porch Review, Young Ravens Literary Review, and Ink Sweat & Tears. He lives and works in upstate New York with his wife writer/storyteller Judy DeCroce.
Tuesday, November 13, 2018
December 7, 1941 by Judy DeCroce
After that, safety fell off,
there was no before.
It was just now.
And the now filled all the spaces.
What we were doing gained importance
as a memory of a moment.
The change shivered through us,
and them,
and all that was.
Far away…
but not far away, an impossibility
loomed.
Sounds blackened clocks,
war closed the minutes, the hours.
Fear found us
watching the radio.
Judy DeCroce, a former teacher, is a poet/flash fiction writer who has been a frequent contributor to Palettes and Quills. Also published in An Upstate of Mind, Amethyst Review, Front Porch Review as well as Writers & Books. She is a professional storyteller and teacher of that genre. Judy lives and works in upstate New York with her husband, writer Antoni Ooto.
there was no before.
It was just now.
And the now filled all the spaces.
What we were doing gained importance
as a memory of a moment.
The change shivered through us,
and them,
and all that was.
Far away…
but not far away, an impossibility
loomed.
Sounds blackened clocks,
war closed the minutes, the hours.
Fear found us
watching the radio.
Judy DeCroce, a former teacher, is a poet/flash fiction writer who has been a frequent contributor to Palettes and Quills. Also published in An Upstate of Mind, Amethyst Review, Front Porch Review as well as Writers & Books. She is a professional storyteller and teacher of that genre. Judy lives and works in upstate New York with her husband, writer Antoni Ooto.
Tuesday, November 6, 2018
Listening by B. S. Dixon
your words
broke somewhere
in the space
between us.
I have
done my best
to make sense
of the pieces.
B. S. Dixon is working on his first poetry collection, "Outreach," about his work with the homeless population in Boston, MA. His work has most recently been printed in Poem Wars and Boston Literary Magazine.
broke somewhere
in the space
between us.
I have
done my best
to make sense
of the pieces.
B. S. Dixon is working on his first poetry collection, "Outreach," about his work with the homeless population in Boston, MA. His work has most recently been printed in Poem Wars and Boston Literary Magazine.
Friday, November 2, 2018
sunday drive by Wanda Morrow Clevenger
I had seen and heard
it all
with three older sisters
every seven days
a mini Armageddon
mom, dressed in her best
riding shotgun
those sunday morning drives
the half dozen blocks from
home to church
the shrieks and wails
the gnashing of teeth
the thanking God we were
finally in the parking lot
Wanda Morrow Clevenger lives in Hettick, IL. Over 500 pieces of her work appear in 163 print and electronic journals and anthologies. The first of a 5-volume chapbook series young and unadorned – where the hogs ate the cabbage (Volume 1) is available through Writing Knights Press. If you would like to check it out, click here.
it all
with three older sisters
every seven days
a mini Armageddon
mom, dressed in her best
riding shotgun
those sunday morning drives
the half dozen blocks from
home to church
the shrieks and wails
the gnashing of teeth
the thanking God we were
finally in the parking lot
Wanda Morrow Clevenger lives in Hettick, IL. Over 500 pieces of her work appear in 163 print and electronic journals and anthologies. The first of a 5-volume chapbook series young and unadorned – where the hogs ate the cabbage (Volume 1) is available through Writing Knights Press. If you would like to check it out, click here.
Thursday, November 1, 2018
Common and Proper Nouns by Martha Christina
My neighbors return from
their walk around the block.
He’s 92, she’s 87.
In spite of his sciatica
he walks with her. Last
week she wasn’t sure
which way to turn, but
made the right guess.
Tonight he’ll fix the pasta
dish they both like, though
he can’t remember what
it’s called. And as they eat,
they’ll ask each other
names they used to know
of people, places, and things.
Martha Christina is a frequent contributor to Brevities. Longer work appears in Innisfree Poetry Journal, Naugatuck River Review, earlier postings of Red Eft Review, and most recently in Star 82 Review, and Crab Orchard Review. She has published two collections: Staying Found (Fleur-de-lis Press) and Against Detachment (Pecan Grove Press).
their walk around the block.
He’s 92, she’s 87.
In spite of his sciatica
he walks with her. Last
week she wasn’t sure
which way to turn, but
made the right guess.
Tonight he’ll fix the pasta
dish they both like, though
he can’t remember what
it’s called. And as they eat,
they’ll ask each other
names they used to know
of people, places, and things.
Martha Christina is a frequent contributor to Brevities. Longer work appears in Innisfree Poetry Journal, Naugatuck River Review, earlier postings of Red Eft Review, and most recently in Star 82 Review, and Crab Orchard Review. She has published two collections: Staying Found (Fleur-de-lis Press) and Against Detachment (Pecan Grove Press).
Wednesday, October 31, 2018
Gizmo by Martha Christina
It promised
to replicate
the language
of a house finch.
Envious of my friends
who couldn’t use their
front door until a brood
fledged from a wreath
of faux forsythia, I
wanted to call a pair
to nest in the wisteria.
Two twists and a half, clockwise,
countered by two turns in reverse.
Whatever I said,
the finches
settled elsewhere,
and there were
no returns.
Martha Christina is a frequent contributor to Brevities. Longer work appears in Innisfree Poetry Journal, Naugatuck River Review, earlier postings of Red Eft Review, and most recently in Star 82 Review, and Crab Orchard Review. She has published two collections: Staying Found (Fleur-de-lis Press) and Against Detachment (Pecan Grove Press).
to replicate
the language
of a house finch.
Envious of my friends
who couldn’t use their
front door until a brood
fledged from a wreath
of faux forsythia, I
wanted to call a pair
to nest in the wisteria.
Two twists and a half, clockwise,
countered by two turns in reverse.
Whatever I said,
the finches
settled elsewhere,
and there were
no returns.
Martha Christina is a frequent contributor to Brevities. Longer work appears in Innisfree Poetry Journal, Naugatuck River Review, earlier postings of Red Eft Review, and most recently in Star 82 Review, and Crab Orchard Review. She has published two collections: Staying Found (Fleur-de-lis Press) and Against Detachment (Pecan Grove Press).
Tuesday, October 30, 2018
At the Concert by Martha Christina
In the back row
the couple
who recently
lost a daughter
to suicide
leans away
from each other.
He thinks:
If this music
were a CD,
I would
turn it off,
go outside,
rake leaves.
He notices
his wife’s
quiet sobbing,
but doesn’t
move closer.
The Fauré,
like grief,
goes on
and on.
Martha Christina is a frequent contributor to Brevities. Longer work appears in Innisfree Poetry Journal, Naugatuck River Review, earlier postings of Red Eft Review, and most recently in Star 82 Review, and Crab Orchard Review. She has published two collections: Staying Found (Fleur-de-lis Press) and Against Detachment (Pecan Grove Press).
the couple
who recently
lost a daughter
to suicide
leans away
from each other.
He thinks:
If this music
were a CD,
I would
turn it off,
go outside,
rake leaves.
He notices
his wife’s
quiet sobbing,
but doesn’t
move closer.
The Fauré,
like grief,
goes on
and on.
Martha Christina is a frequent contributor to Brevities. Longer work appears in Innisfree Poetry Journal, Naugatuck River Review, earlier postings of Red Eft Review, and most recently in Star 82 Review, and Crab Orchard Review. She has published two collections: Staying Found (Fleur-de-lis Press) and Against Detachment (Pecan Grove Press).
Monday, October 29, 2018
Letter to an Old Friend by C.C. Russell
When we were young
we were willing to try,
to do
anything.
How did we end up living
such ordinary
lives?
C.C. Russell has worked many jobs in his life – everything from hotel air conditioner repair to retail management with stops along the way like dive bar 80s night DJ. His writing can be found online and in print. You can follow him on Twitter @c_c_Russell.
we were willing to try,
to do
anything.
How did we end up living
such ordinary
lives?
C.C. Russell has worked many jobs in his life – everything from hotel air conditioner repair to retail management with stops along the way like dive bar 80s night DJ. His writing can be found online and in print. You can follow him on Twitter @c_c_Russell.
Monday, October 22, 2018
Memory Gardens by Ben Rasnic
In 1978 my father bought me
a ‘75 Chevy Nova
when my Pontiac Lemans
succumbed to poor craftsmanship
and consequently found exile
in the local junkyard.
Parked in my parents’ unpaved driveway,
that first night we scrutinized
each particular feature of this icon,
smoking Salems, drinking beer and listening
to Virginia Tech football
on the radio.
This moment resurfaced tonight
while alone, scanning
each accessory & function of this 2015
Nissan Frontier parked
in my freshly paved driveway;
not oblivious to the fact
that no one buys Chevy Novas
or listens to football games
on the radio
anymore.
Ben Rasnic currently resides in Bowie, Maryland. Author of four published collections (three available from amazon.com), Ben's poems have been nominated for Best of the Net and the Pushcart Prize.
a ‘75 Chevy Nova
when my Pontiac Lemans
succumbed to poor craftsmanship
and consequently found exile
in the local junkyard.
Parked in my parents’ unpaved driveway,
that first night we scrutinized
each particular feature of this icon,
smoking Salems, drinking beer and listening
to Virginia Tech football
on the radio.
This moment resurfaced tonight
while alone, scanning
each accessory & function of this 2015
Nissan Frontier parked
in my freshly paved driveway;
not oblivious to the fact
that no one buys Chevy Novas
or listens to football games
on the radio
anymore.
Ben Rasnic currently resides in Bowie, Maryland. Author of four published collections (three available from amazon.com), Ben's poems have been nominated for Best of the Net and the Pushcart Prize.
Sunday, October 21, 2018
Boat Lies by Diane Webster
The overturned boat lies
forgotten in the grass
expecting mist to rise,
to thicken, to conceal
like spring runoff filled lake
bulging at shores,
tickling boat planks,
rippling back and forth
in lullaby mesmerism
drifting
by currents of wind,
floating on dreams
that by sunrise
someone will desire
a sail above fishes.
Diane Webster grew up in Eastern Oregon before she moved to Colorado. She enjoys drives in the mountains to view all the wildlife and scenery and takes amateur photographs. Her work has appeared in Philadelphia Poets, Eunoia Review, Better Than Starbucks, and other literary magazines.
forgotten in the grass
expecting mist to rise,
to thicken, to conceal
like spring runoff filled lake
bulging at shores,
tickling boat planks,
rippling back and forth
in lullaby mesmerism
drifting
by currents of wind,
floating on dreams
that by sunrise
someone will desire
a sail above fishes.
Diane Webster grew up in Eastern Oregon before she moved to Colorado. She enjoys drives in the mountains to view all the wildlife and scenery and takes amateur photographs. Her work has appeared in Philadelphia Poets, Eunoia Review, Better Than Starbucks, and other literary magazines.
Saturday, October 20, 2018
looking for something better by J.J. Campbell
i am in love with a
woman that wishes
i wasn't
something better
i know she will
eventually find it
for now, i can
eventually,
loneliness will
reclaim her space
as my only constant
companion
J.J. Campbell (1976 - ?) is currently trapped in the suburbs, wondering where all the lonely housewives have gone. He's been widely published over the years, most recently at The Dope Fiend Daily, Lucidity Poetry Journal, Horror Sleaze Trash, Academy of the Heart and Mind and The Rye Whiskey Review. His most recent chapbook, the taste of blood on christmas morning, was published by Analog Submission Press. You can find him most days on his mildly entertaining blog, evil delights. (http://evildelights.blogspot.com)
woman that wishes
i wasn't
she constantly
reminds me that
she's looking forsomething better
i know she will
eventually find it
for now, i can
still dream that
the impossible
has a chanceeventually,
loneliness will
reclaim her space
as my only constant
companion
J.J. Campbell (1976 - ?) is currently trapped in the suburbs, wondering where all the lonely housewives have gone. He's been widely published over the years, most recently at The Dope Fiend Daily, Lucidity Poetry Journal, Horror Sleaze Trash, Academy of the Heart and Mind and The Rye Whiskey Review. His most recent chapbook, the taste of blood on christmas morning, was published by Analog Submission Press. You can find him most days on his mildly entertaining blog, evil delights. (http://evildelights.blogspot.com)
Wednesday, October 17, 2018
(Sun)flowers by M.J. Iuppa
Along our split rail fence, sunflowers grow
into a free-standing crowd: their heads, large
and small, turn to follow the sun’s waning
light. Swaying in the constant shift of
air, in this perfect weather, their beauty
becomes my held breath.
Watching them, I
can’t help myself; I sway too. My arms
float over my head; my upturned face
eclipsed by shadows unfolding
like bolts of cloth, ready
to wrap around me, once
and forever.
M.J. Iuppa's fourth poetry collection is This Thirst (Kelsay Books, 2017). For the past 29 years, she has lived on a small farm near the shores of Lake Ontario. Check out her blog: mjiuppa.blogspot.com for her musings on writing, sustainability and life’s stew.
into a free-standing crowd: their heads, large
and small, turn to follow the sun’s waning
light. Swaying in the constant shift of
air, in this perfect weather, their beauty
becomes my held breath.
Watching them, I
can’t help myself; I sway too. My arms
float over my head; my upturned face
eclipsed by shadows unfolding
like bolts of cloth, ready
to wrap around me, once
and forever.
M.J. Iuppa's fourth poetry collection is This Thirst (Kelsay Books, 2017). For the past 29 years, she has lived on a small farm near the shores of Lake Ontario. Check out her blog: mjiuppa.blogspot.com for her musings on writing, sustainability and life’s stew.
Tuesday, October 16, 2018
that summer by John Sweet
the story that tracy tells, how she
was molested by her mother’s boyfriend,
or the story that cheryl tells, how she
was raped by her stepfather, and the days just
coming at us straight between the eyes,
one after the other
the nights splitting open like
overripe corpses
all of us waking up from half-remembered
nightmares, never quite sure
whose bed we’re in
John Sweet, b 1968, still numbered among the living. A believer in writing as catharsis. Opposed to all organized religion and political parties. His latest collections include APPROXIMATE WILDERNESS (2016 Flutter Press) and the limited edition chapbooks HEATHEN TONGUE (2018 Kendra Steiner Editions) and A BASTARD CHILD IN THE KINGDOM OF NIL (2018 Analog Submission Press). All pertinent facts about his life are buried somewhere in his writing.
was molested by her mother’s boyfriend,
or the story that cheryl tells, how she
was raped by her stepfather, and the days just
coming at us straight between the eyes,
one after the other
the nights splitting open like
overripe corpses
all of us waking up from half-remembered
nightmares, never quite sure
whose bed we’re in
John Sweet, b 1968, still numbered among the living. A believer in writing as catharsis. Opposed to all organized religion and political parties. His latest collections include APPROXIMATE WILDERNESS (2016 Flutter Press) and the limited edition chapbooks HEATHEN TONGUE (2018 Kendra Steiner Editions) and A BASTARD CHILD IN THE KINGDOM OF NIL (2018 Analog Submission Press). All pertinent facts about his life are buried somewhere in his writing.
Monday, October 15, 2018
Haiku by George Held
Leaves yellowing
on the Siberian elm –
soon a Hudson view
A ten-time Pushcart nominee, George Held publishes regularly in zines like Red Eft Review, Home Planet News Online, and Transference. He writes from NYC.
on the Siberian elm –
soon a Hudson view
A ten-time Pushcart nominee, George Held publishes regularly in zines like Red Eft Review, Home Planet News Online, and Transference. He writes from NYC.
Thursday, October 11, 2018
October Somewhere Else by Robert Demaree
The trees are turning here—
Yellow, orange, gold,
But it's not New Hampshire.
I picture the secret red
Of the maple at the water’s
Edge, where the dock should be.
A couple passes slowly in a kayak.
I’m guessing they have been in love,
This trip her gesture
Toward reconciliation.
They pause to consider the dock,
Winched up onto the shore
For the winter, the empty cottage,
The wisp of clothes line
Left knotted to a slender birch,
By which we mean them
To understand
We will be coming back.
Robert Demaree is the author of four book-length collections of poems, including Other Ladders, published in June 2017 by Beech River Books. His poems received first place in competitions sponsored by the Poetry Society of New Hampshire and the Burlington Writers Club, and have appeared in over 150 periodicals. A retired educator, he resides in Wolfeboro, N.H. and Burlington, N.C.
Yellow, orange, gold,
But it's not New Hampshire.
I picture the secret red
Of the maple at the water’s
Edge, where the dock should be.
A couple passes slowly in a kayak.
I’m guessing they have been in love,
This trip her gesture
Toward reconciliation.
They pause to consider the dock,
Winched up onto the shore
For the winter, the empty cottage,
The wisp of clothes line
Left knotted to a slender birch,
By which we mean them
To understand
We will be coming back.
Robert Demaree is the author of four book-length collections of poems, including Other Ladders, published in June 2017 by Beech River Books. His poems received first place in competitions sponsored by the Poetry Society of New Hampshire and the Burlington Writers Club, and have appeared in over 150 periodicals. A retired educator, he resides in Wolfeboro, N.H. and Burlington, N.C.
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